Pendulum

Referring to Steve Reich’s feedback idea of Pendulum Music (1968) Pyras and Weise transfer the possibilities of movement and sound to space. We work with the interplay of body and object in space, the rhythmic shifts and the in-betweenness of expectation and silence.

Pendulum acceleration reversal point, tipping point, standstill

What interests you about pendulum?

In the audible quality of sound? 

in the quality of movement in your body? 

in the phenomena of thinking?

The frequency? 

The correspondence?

The superimposition?

The interference?

The shift?

How does the inner period of the pendulum come into contact with your body? 

How does the space of movement come into contact with your inner listening?

How does your perception of space influence your playing with the sound objects?

How does the periodic movement of the sound objects come into contact with mobile things?

Which experience of movement creates a sound?